• The artists launched the first of the Chinese lanterns and then utilized the public of Grand Rapids, Michigan to simultaneously release the remaining 2,000 lanterns
• The performance explores a public aspect—the piece’s success was dependent upon public participation. It also explores an environmental issue, because the artists used entirely biodegradable materials to construct each lantern. While the production of 2,000 of anything is environmentally questionable, at least the artists took a step toward sustainability. The piece represents a “very large scale version of blowing out the candles and making a wish…only this time [people] offered up their dreams and hopes for the future in a symbolic lantern launch.” The piece is emblematic of each individual’s unpredictable future, as the lanterns landed in unknown destinations. Lights In The Night was performed in honor of Grand Rapids and its residents, but most importantly was a celebration of life.
• The expansiveness of the night sky was a significant aspect in this piece. The artists organized a scattering of participants across Grand Rapids so that the lanterns would envelope the city upon release. The artists strategically planned for lanterns to be launched from coordinated key points in order to allow for maximum participation, as well as to allow for the visual and symbolic intersection and divergence of the participants “hopes.” The fact that it was a nighttime performance was significant because it added to the dreamlike effect of the floating, glowing orbs.
• The performance was documented by many Grand Rapids Residents, who recorded (videos & photos) on personal devices and posted to public archives such as Youtube and Facebook. It was also documented by several News broadcasters as well as by Art Prize officials.
http://www.youtube.com/watch?v=JlUfapy8QzE
No comments:
Post a Comment